David L. Snyder
Biography
David L. Snyder is a film and television production designer. He has worked as an art director, producer, and assistant director on films including Blade Runner, Bill & Ted's Bogus Journey, The Whole Nine Yards, and the television programs Buck Rogers in the 25th Century and Battlestar Galactica. He was nominated for Academy Award for Best Art Direction for his work on Blade Runner at the 55th Academy Awards. The film won the BAFTA for Production Design in 1983. Description above from the Wikipedia article David L. Snyder, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Known For & Full Filmography3 Titles
Movie - 2022, 2h 15m • as Self
ONLY IN THEATERS, a film by actor/director Raphael Sbarge, is an intimate and moving journey taken with the Laemmle family, spanning nearly three years of challenges, losses, and personal triumphs. Laemmle Theatres, the beloved 84-year-old arthouse cinema chain 3rd generation family business in Los Angeles, is facing seismic change and financial pressure. Yet the family behind this multigenerational business – whose sole mission has been to support the art of film – is determined to survive.
Movie - 2014, 2h 15m • as Self - Production Designer
A documentary about the making of the live-action Super Mario Bros. movie.
Movie - 2000, 2h 15m • as Self
This is the rare UK Channel 4 documentary about Blade Runner, giving insights into it's history with interviews of Ridley Scott, the writers and nearly all the cast. Interviews with production staff, including Ridley, give details into the creative process and turmoil during preproduction. Stories from Paul M. Sammon and Fancher provide insight into Philip K. Dick and the origins of Do Androids Dream of Electric Sheep? Interweaved are cast interviews with the notable exceptions of Harrison Ford and Sean Young. Through these interviews we get a sense of how difficult and frustrating the film was to make as a result of an exacting director without allies and hot, wet, smoggy conditions; which added to the high pressure atmosphere everyone increasingly felt as the film went over budget. There is also a tour of some locations, most notably the Bradbury Building and the Warner Brothers backlot that was the LA 2019 streets, which look very different from Ridley's dark version.