Irmgard Först

Drama Series - 1971, 16 episodes • as Gudrun Jepsen

Siggi Jepsen, an inmate at the juvenile detention center, is assigned to write an essay in the 1950s. Topic: the joys of duty. He immediately thinks of his own father. As a police sergeant, his father took his official duties more than seriously during the Nazi regime. Siggi becomes increasingly pensive. He writes about his father, who even sacrifices his friendship with an old friend for the sake of his sense of duty. Siggi had protected this friend as a child, and now has to serve time for it…

Drama Series - 1974, 16 episodes • as Elvira Klawitter

An outstanding performance featuring brilliant storytelling, high stakes drama, and unforgettable character arcs.

Movie - 1976, 2h 15m • as Florelle

A Swiss bank discovers some of its clients are becoming the victim of a brilliant blackmailer. The bank's president contacts David Christopher, a former agent with the U.S. Treasury, to help discover who the blackmailer is and to foil his plot. As Christopher delves into the mystery, he uncovers a complicated web of intrigue, car chases, and shoot-outs that takes all of his wits to unravel.

Movie - 1979, 2h 15m • as Friedrich's Mother

Friedrich is a wealthy, handsome German soldier fighting in World War II. His unit is stationed in Poland and occupies the estate of Countess Elzbieta. Forced to remain in her presence, Friedrich begins to pursue Elzbieta out of boredom.

Movie - 1979, 2h 15m • as Stimme (voice)

A lonely man is taunted by the voice of a woman he once knew.

Movie - 1959, 2h 15m • as Peterchens Mutter

The story of Little Peter and his sister Anneli, who help a May beetle named Mr. Zoomzeman (German: Herr Summsemann) to retrieve his missing sixth leg from the Moon. After a fantastic and dangerous overnight adventure they recover the leg and are returned to their beds at home.

Movie - 1977, 2h 15m • Main Cast Role

A man is waiting, reading a newspaper, looking out of the window, etc., seen first at distance, then again in close-up, and the close-up forces a very intense kind of intimacy. His face, gestures, little sounds. Tired of waiting he ends up getting into bed. The close-up enters into the bed. No words or very few. Perhaps just a few murmurs.