Danielle Schneider

Movie - 1980, 2h 15m • as American Antarctic Crew Member

Scientists in Antarctica desperately try to find a cure to a military virus that was released in a plane crash and has wiped out the rest of the world.

Movie - 1980, 2h 15m • as Secretary - Palmer Station

Scientists in Antarctica desperately try to find a cure to a military virus that was released in a plane crash and has wiped out the rest of the world.

Movie - 1982, 2h 15m • as Donna Maloney

A deranged, misogynistic killer assaults a journalist. When he discovers that she survived the attack, he follows her to the hospital to finish her off.

Movie - 1988, 2h 15m • as Fille de Nuit

Nick Hart is a struggling American artist who lives amongst the expatriate community in 1920s Paris. He spends most of his time drinking and socializing in local café's and pestering gallery owner Libby Valentin to sell his paintings. He becomes involved in a plot by wealthy art patroness Nathalie de Ville to forge three paintings. This leads to several run-ins with American rubber magnate Bertram Stone, who happens to be married to Hart's ex-wife Rachel.

Drama Series - 1982, 16 episodes • Main Cast Role

The story deals with Gloria Vanderbilt's difficult coming-of-age when, at eleven, she was a pawn in a custody battle between her sybaritic mother and her aunt.

Movie - 1985, 2h 15m • as Annette

Soviet High School girls are sent to the U.S. where they are taught to become secret agents and use sex to find information.

Movie - 1980, 2h 15m • as Manon Lachapelle

One of Canada's talented directors, actress Micheline Lanctot expresses an effective, engaging approach in this simple, poignant drama about Armand (Jocelyn Berube), a handyman with one problem romance after another. The quiet Armand settles into Montreal after his wife has left him and before long, he continues the momentum when an ill-considered liaison with a nubile woman ends on her insistence. Next, Armand gives his heart to a frustrated housewife, though this decision is hardly well thought out. In the meantime, a gay man who rents out a room in his apartment has unfulfilled longings directed at the unsuspecting handyman. L'Homme a Tout Faire won a Silver Medal for "Best Picture" at the 1980 San Sebastian Film Festival.

Movie - 1982, 2h 15m • Main Cast Role

A group of friends reunite after thirty years of separation.

Movie - 1980, 2h 15m • as Yvette

In a little village at the end of the 1890's, a young woman offends all the 'right-thinking' villagers by allowing men in her house in the absence of her husband. When he is found dead, all of the suspicion is directed towards the liberal woman. She is judged more for her morality then for the crime she is accused of. Her culpability is still a subject of debate today.

Movie - 1980, 2h 15m • Main Cast Role

A troubled young woman who lives alone in a rundown house meanders around and one day reveals a hidden talent when she goes into a bar, plays magnificently at the piano, and leaves as mysteriously as she came. Meanwhile, an unidentified man is on her trail and eventually tracks her down to the bar she had visited. As the dragnet around her closes in, it becomes apparent that the young woman's stepmother is behind the effort to locate her. But questions over why she is hiding out and what she is hiding from begin to take on more importance as the history of the young woman starts to surface.

Movie - 1981, 2h 15m • as Yvette à 20 ans

1980 Canadian film.

Movie - 1976, 2h 15m • as Carole

Claude is in his last year of high-school, but he doesn't care much for school. Instead all his thoughts circle around girls and getting laid. But since he doesn't look very studly, he has a hard time realizing his fantasies. When he's finally got an invitation to a steamy afternoon by Carole, his father intercepts the letter...

Movie - 1982, 2h 15m • as Une secrétaire

A film-opera divided into nine segments, Au pays de Zom tells a day in the life of Mister Zom, a capitalist infatuated with his own person, whose conformism is only matched by his artistic velleity. A thematic sequel to his movie filmed with Mexican peasants, here Groulx asks, by making a business man sing, a second question on happiness: this time about the ones for whom happiness is linked with the possession of overabundance. He delivers, by developing the theatrical dimension with great emphasis, a social pamphlet with a strong satirical charge that he himself qualified as a "neo-surrealist fantasy".