Evgeny Yufit
Biography
Yevgeny Yufit (also known as Evgenii Iufit, 1961 – 13 December 2016) was a Russian filmmaker, photographer and painter, born in Leningrad. He was a founding member of Russia's Parallel Cinema movement. Yufit first became famous for his macabre short films, which, like the films of Guy Maddin, often looked as though they had been made during the 1920s or 1930s. In the 1990s, Yufit began making features similar in style to his shorts, with plots often centered on genetic experimentation and pseudoscience. He is often described as a necrorealist. He died on 13 December 2016 in Petergof. Description above from the Wikipedia article Yevgeny Yufit, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Known For & Full Filmography11 Titles
Movie - 2021, 2h 15m • Main Cast Role
Earth is undergoing abnormal climate warming. In order to protect it's biosphere, scientists are creating a race of humanoid temperature controllers. Some of them disagree with assigned mission. Scientists find a way out: perform a brain transplantation. Finally, Earth climate has restored but the humanoid race is spiraling out of control.
Movie - 2018, 2h 15m • as himself
In the Apocalypse of John, there is such a thing as warmth. Being angry with the Laodicean church, the Lord reproaches: “I know your deeds; you are neither cold nor hot. ” Cold, that is, a sinner who denies or arguing with God, is not hopeless, he can come to salvation through repentance, but a warm, spiritually smoldering person who does not believe in ritual following his heart - such a person is against God. Punk is always a choice of two extremes. Or drink till you drop - or become an invete sober person. Hot or cold. But never warm. The heroes of the film are three generations of Russian punks - from “Automatic Satisfiers” to “Pornofilm”.
Movie - 1997, 2h 15m • Main Cast Role
St. Petersburg banter on the topic of Mozart’s stay in present-day St. Petersburg. Mozart loved Salieri very much. Together they messed around in a tavern. However, Mozart never drank with Salieri - he offered his glass to one of his friends. Friends were very unhappy...
Movie - 1987, 2h 15m • Main Cast Role
An outstanding performance featuring brilliant storytelling, high stakes drama, and unforgettable character arcs.
Movie - 2011, 2h 15m • Main Cast Role
An outstanding performance featuring brilliant storytelling, high stakes drama, and unforgettable character arcs.
Movie - 1988, 2h 15m • Main Cast Role
The demobilized Baltic sea sailor met the injustice of the world around him and committed suicide.
Movie - 1988, 2h 15m • Main Cast Role
Vasily Ivanovich once met with his killer… Collectivism, freedom, stupidity, fun - the main principles of the St. Petersburg underground are filmed with the help of a new myth about the heroic Chapai.
Movie - 2020, 2h 15m • as Himself
In 2000, Masha Godovannaya curated a programme entitled Avant-Garde Alternatives: An Evolution of American Experimental Film, which went on tour in Russia, making stops in Moscow, St. Petersburg and Yekaterinburg. We visited necro-realist film-maker Yevgeny Yufit at his house beside Lake Seliger, helping him repair the house we stayed in and, in exchange, being lavished with the fresh fish that landed in his nets every day. This film is a tribute to Yufit, who died in St. Petersburg in 2016.
Movie - 1992, 2h 15m • Main Cast Role
The remake of the original 1939 "Tractor Drivers"... Same heroes, but totally different times.
Movie - 1990, 2h 15m • Main Cast Role
Inspired by Flaubert’s Madame Bovary, Sokurov’s Save and Protect recalls the most crucial events of Emma’s decline and fall: affairs with the aristocratic Rodolphe and the student Leon, the humiliation that follows her husband’s botching of the operation on the stable boy’s clubfoot. The universality of the theme of eternal struggle between the soul and the flesh is conveyed through the absence of specific reference to time or place: although the film seems to begin in 1840, its surreal mode effortlessly accommodates an automobile and the strains of “When the Saints Go Marching In” on an off-screen radio. Focusing on passion from a woman’s perspective and downplaying plot, Sokurov explores his subject in exquisite detail, capturing not only the heat of passion but also the quiet moments before and after and the innocent sensuousness of the body.
Movie - 2006, 2h 15m • as himself
Poetic portrait of a filmmaker. The famous director reflects on creativity and love. His friends and associates take part in the film: artist Vladimir Shinkarev, engineer Vladimir Nikolaev, actress Elena Kramer (Spiridonova), director, film critic Oleg Kovalov, necrorealist directors Yevgeny Yufit, Igor Bezrukov.