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Georges Delerue

Sound
1925-03-12
Roubaix, Nord, France

Biography

Georges Delerue (12 March 1925 – 20 March 1992) was a French composer who composed over 350 scores for cinema and television. Delerue won numerous important film music awards, including an Academy Award for A Little Romance (1980), three César Awards (1979, 1980, 1981), two ASCAP Awards (1988, 1990), and one Gemini Award for Sword of Gideon (1987). He was also nominated for four additional Academy Awards for Anne of the Thousand Days (1969), The Day of the Dolphin (1973), Julia (1977), and Agnes of God (1985), four additional César Awards, three Golden Globe Awards, and one Genie Award for Black Robe (1991). The French newspaper Le Figaro named him "the Mozart of cinema." Delerue was the first composer to win three consecutive César Awards for Get Out Your Handkerchiefs (1979), Love on the Run (1980), and The Last Metro (1981). Georges Delerue was named Commander of Arts and Letters, one of France's highest honours. From Wikipedia, the free encyclopedia

Known For & Full Filmography10 Titles

#1Champs-Elysées

Drama Series - 1982, 16 episodes • as Self

6.8 / 10
Talk

An outstanding performance featuring brilliant storytelling, high stakes drama, and unforgettable character arcs.

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#2Le Grand Échiquier

Drama Series - 1972, 16 episodes • as Self

8.0 / 10
TalkNews

Le Grand Échiquier is a French variety television program created and presented by Jacques Chancel. It aired at 8:30 pm on the first channel of the ORTF from January 12, 1972 to July 12, 1972, then on the second color channel of the ORTF from September 1972 to December 1974, and finally on Antenne 2 from January 1975 to December 21, 1989. The program returned to France 2 on December 20, 2018 and is hosted by Anne-Sophie Lapix.

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#3Discorama

Drama Series - 1959, 16 episodes • as Self

8.0 / 10
Talk

An outstanding performance featuring brilliant storytelling, high stakes drama, and unforgettable character arcs.

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#430 millions d'amis

Drama Series - 1976, 16 episodes • as Self

6.2 / 10
Documentary

An outstanding performance featuring brilliant storytelling, high stakes drama, and unforgettable character arcs.

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#5Day for Night

Movie - 1973, 2h 15m • as Georges, the Composer (narration) (uncredited)

7.8 / 10
ComedyDrama

A committed filmmaker struggles to complete his latest project while coping with a myriad of crises, personal and professional, among the cast and crew.

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#6Two English Girls

Movie - 1971, 2h 15m • as Claude's Business Agent

6.9 / 10
DramaRomance

In the early 20th-century, Frenchman Claude meets Englishwoman Ann in Paris. Ann invites him to her family home, intending him for her sister Muriel. Claude falls for Muriel, but families demand year-long separation before approving marriage.

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#7Les Musiciens de la pellicule

Drama Series - 1974, 16 episodes • as lui-même

8.8 / 10
Documentary

An outstanding performance featuring brilliant storytelling, high stakes drama, and unforgettable character arcs.

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#8In The Tracks Of - Special Edition

Movie - 2020, 2h 15m • as Self

8.8 / 10
Documentary

This documentary brings the audience into the creative process of film scores by featuring the interviews of some of the world’s most renowned film composers, including Maurice Jarre (Lawrence of Arabia), Bruno Coulais (The Chorus), Georges Delerue (Jules and Jim) and Alexandre Desplat (The Shape of Water). With the participation of collaborative personalities, the film revives the memories of these composers, explores their careers and individual works, and probes into their creative universe.

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#9Music for the Movies: Georges Delerue

Movie - 1995, 2h 15m • as Self

7.0 / 10
MusicDocumentaryTV Movie

Documentary covering the career of French composer Georges Delerue, famous for film scores for such films as Platoon, Contempt, Shoot the Piano Player, and Jules and Jim.

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#10Don’t Shoot the Composer

Movie - 1966, 2h 15m • as Himself

8.0 / 10
DocumentaryTV Movie

Far from an ordinary profile of Georges Delerue; it also serves as a calling card for Russell, whose work would define the 1970s as Delerue’s did in the 1960s. Opening with a sly work of pastiche, parodying the conventions of French noir, it goes on to encompass slapstick, verité scenes of the Delerue family and a harrowing montage of the Vietnam War.

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