Ibet Reyna

Movie - 1998, 2h 15m • Main Cast Role

An outstanding performance featuring brilliant storytelling, high stakes drama, and unforgettable character arcs.

Movie - 2001, 2h 15m • as Contra Woman

The Driver is drafted by the UN to rescue a wounded war photographer named Harvey Jacobs from out of hostile territory. While they are leaving Jacobs tells the Driver about the horrors he saw as a photographer, but he regrets his inability to help war victims. Jacobs answers the driver curiosity about why he is a photographer by saying how his mother taught him to see. He gives the Driver the film needed for a New York Times story and also his dog tags to give to his mother. When they reach the border, they are confronted by a guard who begins to draw arms as Jacobs begins taking pictures, trying to get himself killed. The Driver drives through a hail of gunfire to the border, but finds Jacobs killed by a bullet through the seat. The Driver arrives in America to visit Jacobs' mother and share the news of him winning the Pulitzer prize and hand over the dog tags, only to discover that she is blind.

Movie - 2009, 2h 15m • as Amalia

Paulinita is a little rich girl who seemingly has everything, but lacks the love of her parents: Julio is too busy with his million-dollar deals to look after her, while Regina spends her time at social events and fashion shows. One fine day, Julio´s brother Manuel comes to visit them from Spain. He has just obtained a Master´s degree in child pedagogy. Paulinita quickly warms to him, as he has time to play with her, but Manuel has a dark past.

Movie - 1996, 2h 15m • Main Cast Role

1941, Jose Antelmo Cruz regrets his past while writing a novel and falling in love with a prostitute.

Movie - 1976, 2h 15m • Main Cast Role

Rogelio’s story, a young man of humble origin in the neighborhood of Tepito, who falls in love with the daughter of a wealthy grocer, Michelle, but his marriage to her will be a failure and he will end up as a one more drunk.

Movie - 1978, 2h 15m • Main Cast Role

On the thinnest of pretexts, a horde of homeless people descend on the apartments of two members of the comfortable middle class and proceed to loot and vandalize both homes, leaving the next morning with many of the belongings they found there, as well as one of the residents who has opted to join them. This political allegory is based on two plays by the Chilean playwright Egon Wolff.