Byron Utley

Drama Series - 1990, 16 episodes • as Cookie Molina

In cases ripped from the headlines, police investigate serious and often deadly crimes, weighing the evidence and questioning the suspects until someone is taken into custody. The district attorney's office then builds a case to convict the perpetrator by proving the person guilty beyond a reasonable doubt. Working together, these expert teams navigate all sides of the complex criminal justice system to make New York a safer place.

Drama Series - 1990, 16 episodes • as Ralph

In cases ripped from the headlines, police investigate serious and often deadly crimes, weighing the evidence and questioning the suspects until someone is taken into custody. The district attorney's office then builds a case to convict the perpetrator by proving the person guilty beyond a reasonable doubt. Working together, these expert teams navigate all sides of the complex criminal justice system to make New York a safer place.

Movie - 1990, 2h 15m • as Ward #5 Patient #2

Dr. Malcolm Sayer, a shy research physician, uses an experimental drug to "awaken" the catatonic victims of a rare disease. Leonard is the first patient to receive the controversial treatment. His awakening, filled with awe and enthusiasm, proves a rebirth for Sayer too, as the exuberant patient reveals life's simple but unutterably sweet pleasures to the introverted doctor.

Drama Series - 1992, 16 episodes • as Hoodman

Ghostwriter is an American television program created by Liz Nealon and produced by the Children's Television Workshop and BBC One. It began airing on PBS on October 4, 1992, and the final episode aired on February 13, 1995. The series revolves around a close knit circle of friends from Brooklyn who solve neighborhood crimes and mysteries as a team of young detectives with the help of an invisible ghost named Ghostwriter. Ghostwriter can communicate with the kids only by manipulating whatever text and letters he can find and using them to form words and sentences. The series was filmed on location in Fort Greene, Brooklyn.

Movie - 1992, 2h 15m • as Prisoner

A tribute to the controversial black activist and leader of the struggle for black liberation. He hit bottom during his imprisonment in the '50s, he became a Black Muslim and then a leader in the Nation of Islam. His assassination in 1965 left a legacy of self-determination and racial pride.

Movie - 1987, 2h 15m • as Elevator Person

A young and impatient stockbroker is willing to do anything to get to the top, including trading on illegal inside information taken through a ruthless and greedy corporate raider, who takes the youth under his wing.

Movie - 2005, 2h 15m • as Jean Gamba

After Silvia Broome, an interpreter at United Nations headquarters, overhears plans of an assassination, an American Secret Service agent is sent to investigate.

Movie - 2010, 2h 15m • as Businessman #2

A devoted wife and mother leads a secret life as a CIA agent until her husband’s article exposes a scandal, putting her identity and loved ones at risk. As her world crumbles, she must navigate the fallout of her double life.

Movie - 1992, 2h 15m • as Frisker at Disco Club

Looking to get rich quick, an unsuccessful lawyer uses dishonest means to try to become a boxing promoter.

Movie - 2019, 2h 15m • as Self

The story of several friends in New York City facing financial poverty, homophobia, AIDS, and, of course, rent.

Movie - 2021, 2h 15m • Main Cast Role

A quarter century ago, Jonathan Larson’s groundbreaking musical, RENT, opened at New York Theatre Workshop. From its humble beginnings at NYTW, this rock musical went on to shape a generation. What began in the East Village traveled to Broadway, across the nation and around the world. On March 2, 2021, NYTW held its biggest fundraising event of the year, 25 YEARS OF RENT: MEASURED IN LOVE. This virtual celebration of RENT and its impact on the collective cultural consciousness featured a selection of iconic songs by some of today’s most beloved recording and theatre artists, exclusive content uncovering how RENT came to life, and reflections on the driving force of Jonathan’s legacy in the American theatre.