Ricardo Aronovich

Ricardo Aronovich

Camera
1930-01-04
Buenos Aires, Argentina

Biography

Ricardo Aronovich (born January 3, 1930 in Buenos Aires) is an award-winning Argentinean cinematographer known for his work for directors such as Hugo Santiago, Costa-Gavras, Ettore Scola and Raúl Ruiz. Source: Article "Ricardo Aronovich" from Wikipedia in English, licensed under CC-BY-SA 3.0.

Known For & Full Filmography5 Titles

#1Ciné regards

Drama Series - 1978, 16 episodes as Self

5.0 / 10
Documentary

An outstanding performance featuring brilliant storytelling, high stakes drama, and unforgettable character arcs.

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#2Cortázar y Antín: cartas iluminadas

Movie - 2018, 2h 15m as Himself

9.1 / 10
Documentary

In the 60s and thanks to the epistolary exchange, the young filmmaker Manuel Antín and the famous writer Julio Cortázar devised four films. An ocean away, a fruitful collaboration and genuine friendship are born.

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#3Person

Movie - 2007, 2h 15m as Self

8.2 / 10
Documentary

Person is a documentary about the life and work of filmmaker Luiz Sérgio Person. The documentary brings the reconstruction of the history of the São Paulo filmmaker through the personal journey of his daughter, Marina. Through interviews with friends, family, and people who worked with Person, she seeks to discover more than dates and biographical data.

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#4Romy Schneider, étrange étrangère

Movie - 2002, 2h 15m as Self

7.0 / 10
Documentary

Star at 17 years with the series of Sissi, Romy Schneider leaves Austria and glory for the love of Alain Delon. From Luchino Visconti to Otto Preminger, through Zulawski and Costa Gravas, she turned with the greatest. The directors interview those who knew her, who loved her, go back to the filming locations, make archive images speak for themselves... and try to detect the part of mystery that Romy Schneider conceals for ever.

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#5The Generation of ‘60s. The Unknown Friendship

Movie - 2024, 2h 15m Main Cast Role

8.8 / 10
Documentary

The differences of origin and poetics between José Martínez Suárez and Manuel Antin, representatives of the cinema of the ‘60s’ Generation, are proof of the heterogeneity of the period and, at the same time, share the creation of a renovating and personal aesthetic that observes reality with a critical eye.

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