Wiley Moore

Drama Series - 1999, 16 episodes • as SOMU Detective Monahan

In the criminal justice system, sexually-based offenses are considered especially heinous. In New York City, the dedicated detectives who investigate these vicious felonies are members of an elite squad known as the Special Victims Unit. These are their stories.

Drama Series - 1990, 16 episodes • as Officer Jones

In cases ripped from the headlines, police investigate serious and often deadly crimes, weighing the evidence and questioning the suspects until someone is taken into custody. The district attorney's office then builds a case to convict the perpetrator by proving the person guilty beyond a reasonable doubt. Working together, these expert teams navigate all sides of the complex criminal justice system to make New York a safer place.

Drama Series - 1990, 16 episodes • as Protester

In cases ripped from the headlines, police investigate serious and often deadly crimes, weighing the evidence and questioning the suspects until someone is taken into custody. The district attorney's office then builds a case to convict the perpetrator by proving the person guilty beyond a reasonable doubt. Working together, these expert teams navigate all sides of the complex criminal justice system to make New York a safer place.

Movie - 1997, 2h 15m • as Arguing Man

Rushon is sexually pent-up and ready to take thing things to the next level with his girlfriend, Nikki. But when he calls for a date, she asks to make it a double — bringing along her brash friend, Lysterine, whom Rushon sets up with his lewd buddy, Bunz. Things go better than expected. As the evening transitions from the restaurant to the bedroom, the two men go on a madcap search for what will surely make the night complete: condoms.

Movie - 1988, 2h 15m • as Newscaster

Three teenage girls come of age while working at a pizza parlor in Mystic, Connecticut.

Drama Series - 1988, 16 episodes • as Focus Group Participant

In 1988, renegade filmmaker Robert Altman and Pulitzer Prize–winning Doonesbury cartoonist Garry Trudeau created a presidential candidate, ran him alongside the other hopefuls during the primary season, and presented their media campaign as a cross between a soap opera and TV news. The result was the groundbreaking Tanner ’88, a piercing satire of media-age American politics.