Louise Wener

Drama Series - 1964, 16 episodes • as Self - Host

The biggest stars, the most iconic performances, the most outrageous outfits – it’s Britain’s number one pop show.

Drama Series - 1996, 16 episodes • as Self - Team Member

Never Mind the Buzzcocks is a comedy panel game show with a pop and rock music theme. The show is infamous for its dry, sarcastic humour and scathing, provocative attacks on the pop industry.

Drama Series - 1996, 16 episodes • Main Cast Role

TFI Friday was an entertainment show broadcast on Channel 4 in the United Kingdom from 1996 to 2000. The show was produced by Ginger Productions, written by Danny Baker and hosted by Chris Evans, for the first 5 series. The final series was hosted by a number of guest presenters. It was broadcast on Fridays at 6pm from 9 February 1996 to 22 December 2000, with a repeat later that night. The title officially stood for "Thank Four It's Friday", but was widely understood to mean "Thank Fuck It's Friday" and was a reference to the popular phrase "Thank God it's Friday". The show's theme tune was Ron Grainer's theme from Man in a Suitcase, in keeping with Evans's frequent use of 1960s television themes in his work.

Drama Series - 1990, 16 episodes • Main Cast Role

The Word was a 1990s Channel 4 television programme in the United Kingdom. The show pushed forward the boundaries of youth TV, always coming close to going too far.

Movie - 2015, 2h 15m • as Self

Documentary that outlines the 1990s and the decade the changed the world.

Movie - 2003, 2h 15m • as Self

In the mid-1990s, spurred on by both the sudden world-domination of bands such as Oasis and Prime Minister Tony Blair's "Cool Brittania" campaign, British culture experienced a brief and powerful boost that made it appear as if Anglophilia was everywhere--at least if you believed the press. Pop music was the beating heart of this idea, and suddenly, "Britpop" was a movement. Oasis, their would-be rivals Blur, Pulp, The Verve, and many more bands rode this wave to international chart success. But was Britpop a real phenomenon, or just a marketing ploy? This smart and often hilarious documentary probes the question with copious interviews from Noel and Liam Gallagher of Oasis, Pulp's Jarvis Cocker, Damon Albarn of Blur, Sleeper's Louise Wener, and many other artists and critics who suddenly found themselves at the cultural forefront.

Movie - 2005, 2h 15m • as Herself

In August 1995 Blur and Oasis were engaged in a head-to-head chart battle which divided music fans and led to a wider argument about British pop music. John Harris, journalist and author of The Last Party - the definitive study of the entwinement of music and politics in the 1990s - presents a documentary charting the rise of Britpop, its brief romance with New Labour and the emergence of 'new lad' culture. Finally, as Britpop declines, he asks what legacy it has left. Including contributions from Blur's Graham Coxon, Elastica's Justine Frischmann, Sleeper's Louise Wener, former New Labour insider Darren Kalynuk, and the founder of Creation records, Alan McGee.