Eike Wilm Schulte

Acting
1939-10-13
Plettenberg, Germany

Known For & Full Filmography6 Titles

#1Beethoven: The Symphonies

Movie - 2013, 2h 15m as Self - Bass

8.8 / 10
Music

Conductor: Claudio Abbado. Orchestra/Ensemble: Berlin Philharmonic Orchestra. 1.Symphony no 1 in C major, Op. 21 2. Symphony no 2 in D major, Op. 36 3. Symphony no 3 in E flat major, Op. 55 "Eroica" 4. Symphony no 4 in B flat major, Op. 60 5. Symphony no 5 in C minor, Op. 67 6. Symphony no 6 in F major, Op. 68 "Pastoral" 7. Symphony no 7 in A major, Op. 92 8. Symphony no 8 in F major, Op. 93 9. Symphony no 9 in D minor, Op. 125 "Choral"

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#2Europakonzert 2000 from Berlin

Movie - 2000, 2h 15m as Self

8.8 / 10
Music

Beethoven: Concerto N° 2 for Piano and Orchestra; Symphony N° 9

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#3Lohengrin: Bayreuth Festival Opera

Movie - 2008, 2h 15m as Heerrufer

7.0 / 10
Music

Richard Wagner's opera Lohengrin staged in 1987 by Werner Herzog in Bayreuth.

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#4Die Meistersinger von Nürnberg

Movie - 1995, 2h 15m as Sixtus Beckmesser

8.8 / 10

An outstanding performance featuring brilliant storytelling, high stakes drama, and unforgettable character arcs.

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#5The Met - Tristan und Isolde

Movie - 2008, 2h 15m as Kurwenal

8.8 / 10
Music

James Levine’s love for this monumental opera shimmers throughout this exciting performance. It was an afternoon to remember: Met favorite Deborah Voigt singing her first run as the proud Irish princess opposite tenor Robert Dean Smith—making an astonishing Met debut in front of a live worldwide movie-theater audience. Michelle DeYoung was a sisterly Brangäne and Matti Salminen an imposing King Marke.

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#6Richard Strauss -  Ariadne Auf Naxos

Movie - 2012, 2h 15m as Musiklehrer

8.8 / 10

Flemings voice might have been made for Ariadne and she achieved a great personal triumph in this production: The chief glory of the evening was hearing Renee Fleming, the Straussian soprano par excellence, making her role debut as Ariadne… As the possessor of what is, possibly, the most beautiful soprano voice in the world, she put her vocal treasures in the service of an empathic, nuanced interpretation of the role. From the creamy top, through a rich, warm middle, to the bewitching, darker colours of her lower register, Fleming poured her magnificent sound into Strausss enchanting melodic arcs, animating the sadness, vulnerability, and desire of the bereft princess...

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