Klaus Wyborny
Biography
Klaus Wyborny (b.June 5, 1945 in Bittkau bei Magdeburg; lives and works in Hamburg) is a German filmmaker, producer, film director, actor, cameraman and screenwriter, known for his experimental films. Klaus Wyborny studied from 1963 to 1970 Theoretical Physics at the University of Hamburg and the Yeshiva University in New York City. Wyborny was co-founder in 1968, with Hellmuth Costard, Thomas Struck, Werner Nekes, Helmut Herbst, Werner Grassmann, and others, of the Hamburger Filmmacher Cooperative, which took the New American Cinema as an example and would develop an European version of American underground cinema. He worked for the literary journals BOA VISTA and Henry, and was co-founder of the 'Hamburger Filmgespräche'. Klaus Wyborny participated with others in the Documenta 5 in Kassel in 1972 with Das abenteuerliche, aber glücklose Leben des William Parmagino, Dallas Texas - After the Goldrush, Chimney Piece and A Crowd in the Face, and Percy McPhee in the section Film review: New European Cinema on the Documenta 6 (1977). Wyborny participated in 1975, 1980-1982, 1986, 1992 and 1994 at the International Forum of New Cinema in Berlin. He was also several times (2002, 2005, 2010) represented at the Viennale Festival in Vienna. In 2003 he taught at the Academy of Fine Arts in Karlsruhe.
Known For & Full Filmography6 Titles
Movie - 1991, 2h 15m • Main Cast Role
After Roy's demise, five friends try to reconstruct his life by reading through the late editor's notebooks - only to face some very personal demons. The Holy Bunch is a modernist melodrama: beyond-Antonioni in its images, decisively Dreyerian in its spirituality. One of German cinema's few modern (or Modernist) masterpieces.
Movie - 1988, 2h 15m • Main Cast Role
Harry, a timpanist and pyromaniac, and Ginamove into the same apartment due to Hamburg's housing shortage. This is the beginning of a wonderful enmity, with Harry, who has been tried and tested in marital warfare, and relationship terrorist Gina proving to be quite equal opponents.
Movie - 1973, 2h 15m • as Narrator
The film depicts, in an anecdotal, quasi-anthropological style, the efforts of a group of men in a desert to achieve some kind of social organisation. An opening title locates the action in Morocco, in 1911, the date evidently refers to the work of D.W. Griffith.
Movie - 1974, 2h 15m • Main Cast Role
Astronaut Mulligan sets out to find a mysterious planet.
Movie - 1985, 2h 15m • Main Cast Role
Home movies shot on Super 8mm by W+B Hein over 10 years.
Movie - 1978, 2h 15m • Main Cast Role
Four four-minute image sections and four four-minute sound sections are linked in all combinations of the sound sections with each of the image sections. This established affinities between each of the image sections to the others, and the sound sections to each other. The image sections are: surveyors measuring the land near my house as seen through an old window, a family of Siamang Gibbon apes in the Washington zoo, an industrial site, and a page turned from a book on Cézanne’s composition showing a diagram of his painting Mardi Gras, filmed against bright leaves. The sound sections are: a dramatic scene from Debussy’s opera “Pelléas et Mélisande”, a passage from William Wordworth’s autobiographical poem “The Prelude,” sounds from rowing on a lake at night, and the sounds of the apes vocalizing.