Jacques Drouin

Movie - 2024, 2h 15m • as Self

The Pinscreen is a tool that was created in the 1930s to make animation films. Although it no longer provides any technical advantages, a handful of animation directors still use it. This film explores why it is so important to create something handmade with constraints, in a time when everything is turning towards instantaneous digital technology.

Movie - 2009, 2h 15m • as Self

This documentary is a portrait of the animator of Le Paysagiste, from his childhood in Eastern Quebec to his career at the NFB. Trained at the École des beaux-arts de Montréal and the University of California at Los Angeles (UCLA), Drouin became in some ways the heir to Alexandre Alexeïeff when he began working with the Alexeïeff-Parker pinhole screen in 1974. Recounting his relationship with the filmmaker and inventor, coming back with lucidity and precision on the whole of his own filmography, Jacques Drouin delivers here a precious testimony on creation. Enriched with numerous excerpts and unpublished images from the filmmaker's personal archives, Jacques Drouin en relief is both the adventure of a lifetime and a valuable lesson in cinema.

Movie - 2002, 2h 15m • as Self - animator

Alexander Alekseev, Alyosha, Alfeoni ... artist, animator, inventor. The author of "Night on Bald Mountain" — one of the most mysterious films in the history of animation and the inventor of a unique device — a needle screen . He did the first color commercials and the prologue to the Orson Welles film "The Trial". He made dreams come true and subordinated reality to his own imagination.

Movie - 1985, 2h 15m • as Self

An anthology of sequences from the best films that the National Film Board of Canada produced since its beginnings. Divided by themes and presented by a trio of actors-signers (including Carle's wife Chloé Sainte-Marie) who sings the same song in between the movie excerpts. This movie celebrated the anniversary of the National Film Board in 1985.

Movie - 2013, 2h 15m • as Himself

Jacques Drouin's artistic trajectory is closely tied to the Alexeïeff-Parker pinscreen. No other filmmaker has employed the device with such dedication since Alexeïeff himself, who created the design in 1931. Consisting of a perforated board with 240,000 adjustable pins, the pinscreen can be manipulated to create evocative moving images.